Anushka Sen
Anushka Sen Becomes the First Indian Actor to Lead a South Korean Film
Fifteen years after she started as a child artist on Hindi television, she is headlining Jeju Olle: a Korean romantic musical, shot entirely on Jeju Island, releasing across three languages.
Bolly BourseAnushka Sen, 23, has become the first Indian actor to take the lead role in a South Korean feature film. Jeju Olle is a romantic musical drama directed by Jin Kwang-Kyo, produced by Lucifer Productions and Celebridge, and shot entirely on Jeju Island.
She plays Alisha, an aspiring singer who travels to Jeju carrying the grief of losing her sister, and forms a connection with a singer-songwriter named Sunwoo, played by Korean actor Kang Hyung-seok. Ha Ju-Young also features. The part asked her to act, sing and dance across the same film, and it is her first commercial feature as well as her first project performed largely in English.
The route to it is the interesting part. Sen has been working for fifteen years, since childhood, through Baal Veer and Jhansi Ki Rani, in an industry that rarely lets a television child artist graduate to leading a feature anywhere, let alone abroad. She found Korean drama during the pandemic lockdown, the same way several million other Indian viewers did, and was appointed an honorary ambassador for Korea Tourism in 2023, well before this film existed.
Speaking to The Hollywood Reporter India, she described the working culture on a Korean set in terms that should interest anyone who has stood on an Indian one. Her director and his assistant director produced roughly 360 pages of storyboards in seven days, every scene drawn out in advance. Schedules were kept to the minute: a scene booked from one o'clock to half past ended at half past, without the crew ever being made to feel rushed. As a filmmaking student, she found seeing that level of pre-production actually executed more instructive than the shoot itself.
Commercially, the film is built to travel. A trilingual release is planned across South Korea, India and several other Asian and Middle Eastern markets, which places it in a category Indian cinema has almost no precedent for: not an Indian film exported, and not a Korean film dubbed, but a genuine co-production with an Indian face at its centre.
For an Indian entertainment business that has spent five years watching Korean content take its audience, a young Indian actor leading a Korean film is a more meaningful crossover than any number of remakes.
More from the Spotlight